“How you dispose of consciousness towards the world is crucial: For, the way that you do it, alters and determines what you will find and understand. And as we spatialise the world around us differently, perception widens and the (until then hidden) spaciousness of what lies beyond comes into view.” Iain McGilchrist Synastry in astrology is the practice of comparing two birth charts to understand the dynamics and potential compatibility of a relationship. It involves analyzing how planets and points in one chart interact with those in another, revealing areas of harmony, challenge, and overall relationship potential. This post is an extension of major points covered in earlier analyses of the US-India relationship. Readers are urged to read those previous posts to see the full connection: On why US-India relation is breaking up Is the US falling out of love with India? Martha Wescott wisely suggests not to obsess over exact dates but to attempt to understand the proc...
Edward FitzGerald (1809–1883) gave the English-speaking world one of its most enduring poems of pleasure, mortality, and wine — the Rubáiyát of Omar Khayyám . Yet the man himself was notably abstemious, nearly teetotal, largely vegetarian, and lived a quiet, reclusive life in Suffolk. How does a chart explain a poet who celebrated the “jug of wine” while barely touching the real thing? Using the Full Moon chart for his birth date, 31 March 1809 (15:27, near Bredfield, Suffolk), a striking pattern emerges. The Ascendant sits at approximately 9–10° Virgo. Within a workable angle orb (Martha Wescott’s guideline of up to 10°) lies asteroid Dionysus, the god of wine, ecstasy, and altered states. The rising degree also carries the fixed stars Alsuhail, Zosma, and Alioth — stars associated with responsible use of personal will, the need to reassess one’s path, and the potential toxicity that can surround the heart. The Sabian symbol for Virgo 10, “Two heads looking out beyond the s...